I remember hearing a Labour Party member saying in 1970 that coloured immigration (as “multi-culturalism” was then called) would benefit Britain by “enriching our culture”.
This was in the face of what even in those far-off days was considerable evidence that non-whites tend to debase and distort White culture by superimposing their own sub-cultures upon it.
In the intervening years this evidence has multiplied and now we only have to switch on our television sets or open a magazine to see what black sub-culture is doing to our music, art and way of life. Even the English language is not immune.
Blacks and asiatics are ceaselessly promoted in the mainstream media by the Jews and white liberals who for the most part control it. Blacks, in particular, are portrayed as “artistic” and “sensitive”, in the face of all the evidence of our own eyes and ears. The most cravenly childish and primitive forms of culture – whether crude paintings, sculpture, reggae or similar “music”, or attempts at acting, are thrust upon us as being somehow equal to or even superior to our own.
Black “entertainers” posture on our stages and screens gyrating and swaying, to the applause of white liberals and fellow blacks. Rap artists drone on with their mono-tone, staccato verbal diarrhea backed up by a bongo drum and an electric guitar (and, usually, several other blacks). Even the once staid “Songs of Praise” television program that used to grace our Sunday evenings on BBC1, with choral singing from some of Britain’s finest church choirs, has become largely a platform for black gospel singers shaking their ample hips and emitting sounds that used to be heard on TV in the 1960s in David Attenborough’s reports from African forest clearings.
One of the first casualties of our culture was our language, the English language, spoken by more people worldwide than any other. The language of Shakespeare and Milton, of Wordsworth and Dickens. From the earliest days after mass non-white immigration took a hold on our country alien words have entered our language. Words such as “chillin'”, “chillaxin'”, “dude”, and “holla”, are part of the black sub-language that is attacking the English language.
Other English words, often going back centuries, have been made to mean something different, often the opposite of their original meanings, such as “wicked” and “cool”. One of the most important words that blacks use among their own is “shit”, used to describe just about anything.
The English language word-ending “er”, as in “mister”, “player” or “gangster” becomes “mista”, “playa” and “gangsta”. Ironically, the word “nigger” also falls into this category. It was originally a term of affection used by Whites in the southern United States in the nineteenth century. Then it was made unacceptable in Western countries by the liberal media, who deemed it a “hate” word. Now it has become popular with blacks themselves when greeting each other. And, of course, they spell it “nigga”.
Black obsession with the sex act is reflected in most of their so-called musical efforts, as in “The pussy was da bomb, had a nigga on sprung” or “Bitches get fucked on the roof when I ain’t got no hotel doughâ€.
Another part of the human anatomy that endlessly fascinates black people is, apparently, what we refer to as the backside. Hence, to “drop it like it’s hot” refers to dropping one’s backside quickly to the rhythm of a song, and catching it just before it touches the floor.
All this is just a small part of the “cultural enrichment” promised us by establishment politicians in the early days of multi-culti. There are now thousands of ways in which the English language has been distorted through its use by non-whites. In fact the situation is now so bad that, according to Dr Dominic Watt, a sociolinguistics expert from the University of York, and the author of ‘The Sounds of the Future’ report, there will be significant and permanent changes to our language by the middle of the century. It goes without saying that these “changes” will invariably be for the worse.
For example, blacks and asiatics have difficulty in pronouncing “th”, as in “the”, “mother” and “think”. The sounds that come out are the more primitive sounding “da”, “muvver” and “fink”. “This” becomes “dis” and “that” becomes “dat”. These people also can’t pronounce the letter “u” properly. So, for example, “beautiful” (not that they tend to use such a word very often) becomes “bootiful” and “duke” becomes “dook”.
In other areas of pronouncement, “red” becomes “wed”, and “real” becomes “weal”. And then there’s the hundreds or maybe thousands of new, primitive words, blacks use in their rap outpourings and, more and more, in their day-to-day language.
So fast is the alien population growing compared to Whites that this deterioration of the English language is now the mainstream way of speaking in many of our large towns and cities, where blacks and asiatics outnumber White Britons. You can imagine the long-term effects all this constant degrading of our beautiful language will have on it, and on our culture in general.
‘The Sounds of the Future’ report also covers the effect of modern technology, and in particular Social Media, on the English language, perhaps in an attempt to prevent accusations of “racism”. You can read more about Dr Watt’s findings here.Â